DALLAS | 214 630 1655AUSTIN | 512 220 9456DENVER | 720 381 0038
RED Helium Camera
RED Helium Camera

RED HELIUM 8K

Capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps—WEAPON 8K S35 delivers unrivaled performance. At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60–75 fps, WEAPON 8K S35 provides the most advanced VFX solution with next-level creative flexibility. With other HELIUM sensor advancements, WEAPON 8K boasts improved low-light sensitivity and impressive dynamic range. Blazing-fast 300 MB/s data rates allow you to take advantage of the lowest possible REDCODE®—and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.

  • HELIUM 35.4 Megapixel CMOS
  • 8K 2.4:1 resolution up to 75 fps
  • 16.5+ stops of dynamic range
  • 300 MB/s data speeds
  • REDCODE RAW + Apple ProRes or Avid DNxHR/HD

 

ADD TO QUOTE REQUEST
Categories: ,

Description

RED Helium, capable of recording up to 8K!

The camera BRAIN is the primary building block of the RED HELIUM system, housing the image sensor and advanced computing components. A WEAPON BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and is offered with three sensor options – delivering incredible dynamic range and up to 8K resolution.

SENSOR

SENSOR TYPEHELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS8192 x 4320
SENSOR SIZE29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE16.5+ stops
SIGNAL-TO-NOISE-RATIO80 dB

 

RECORDING

MAX DATA RATESUp to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
REDCODE RAW MAX FRAME RATES60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES

(PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS

RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORESProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECSDNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps  
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

 

GENERAL

CONSTRUCTIONCarbon Fiber, Magnesium, and Aluminum Alloy
WEIGHT3.3 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY0% to 85% non-condensing

 

FEATURES

COLOR MANAGEMENTSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIOIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROLIntegrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONSDSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

 

SOFTWARE

REDCINE-X PRO DELIVERY FORMATS4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITYAdobe Premiere Pro, Avid Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

Related products